Hi Folks,
As some of you might already know, I work for Team Bang. That is the group that does the set up for the Bang!, the monthly mix tape dance party that has been going on for the last 8 years in Ann Arbor. It started out at the Halfway Inn then moved over to the Blind Pig where it's been packing the bar ever since. It's run by two creative masterminds, Jeremy Wheeler and Jason Gibner. I started working for them around Oct 2003 I think. Originally my brother Mike and I were brought on board to help amp up the over all Bang experience by building a light table and running overhead projectors and other light effects during the party. We also became the Bang carpenters and set designers. We started building sets to accompany the various Bang themes. For instance when we threw the Space Bang, we built a rocket ship cockpit that people could take photos in. We also began painting large backdrops and other assorted decorations to go along with whatever type of Bang was being put on. After a few years we had to rent out a storage unit to store all the Bang props and sets. Eventually after outgrowing two storage units and being in desperate need of a larger work space, we lucked into a nice warehouse space neatly tucked away in an industrial area of Ann Arbor.
My wife actually suggested the place to us. She works in real estate and had heard about a local business that was looking for tenets to rent a small warehouse space on their back lot. After taking a tour or the building, we had the space within a few weeks and we moved in by the end of that month. Part of the deal in order to make it affordable for the Bang, was that I bring in my bands to rehearse in the smaller of the two rooms that make up the space. That plan fit perfect for me since the bands were rehearsing in my basement and my wife and neighbors were getting sick of it.
When you first enter the space you encounter the office/lounge area.
On the desk to the right is the audio visual editing station where Jeremy creates parts of the videos that are played during the Bang. On the left is a nice table and chair set where we hold meetings and eat pizza.
This is a photo of the office ceiling, which is covered with Bang posters.
Here is the chalkboard that divides the room in half. As you can see we're going to be busy for the next few months.
On the other side of the chalkboard is the other half of the room which is set aside for band rehearsal space.
I hung up a couple of black lights and then brought in my vintage Third Eye Marvel black light posters and few other nice ones to decorate the band side of the room.
So far we've got City Center, Mazinga, Scott Morgan and Blue Snaggletooth all rehearsing in the space.
In the adjacent larger room is the workshop space.
This is the area where we build and store all the stuff we use to make the Bang happen. There is a bathroom and a mini fridge, fully stocked of course.
We also have a nice large garage door for easy loading & unloading. Here is what it looks like from the outside.
Yes, that is Clint Eastwood keeping an eye on things.
So last Wednesday night we started building mock ups of the decoration ideas for the upcoming Ann Arbor Film festival. The Bang crew has been hired for a second year to decorate the theater for the Festival.
First, we do some prep work before the actual work begins.
Warning! Don't climb the ladder to the loft after drinking!
There is a great loft space above the office. It's were we store big set pieces like the giant cassette tape.
My brother Mike enjoys some bread sticks. ?
Jeremy hard at work on a mock up of a hanging piece for the film fest.
Here is how it turned out.
It's going to end up being back lit somehow. We are still figuring it all out.
I'm glad we have such a nice place to work in.
So there you go. I hope you enjoyed this quick inside look at the Bang workshop.
Friday, January 29, 2010
Wednesday, January 27, 2010
Recording Scott Morgan's new record.
Hey folks,
We finished basic tracks on the new Scott Morgan album last night. I think the recording has turned out fantastic so far. We recorded a mix of originals and some killer soul, R&B covers. The process of recording the songs was very spontaneous and free form. Most the original tunes we made up or learned on the spot. They were mostly based on the vocal melodies and ideas Scott would bring in. When it came to the covers, we would listen to them, pick a key, play through it once or twice to get the arrangement and then put it to tape. Normally with my other bands we practice our asses off for a month, get the songs as tight as we can, and then go record them as fast as we can in order to save money and get in, get out. I've always felt so under the gun in the studio because the budget is always so tight. This time around, we would walk in not knowing exactly what we were going to record each night. I have to say it worried me, until after the first night. I saw right away that the other guys had the skills to just pull the stuff right out of thin air. I was surprised when we got through 4 songs in the first night and it sounded really good. After that I wasn't worried. I just went with it, and it was a lot of fun.
Playing guitar along side Matt, Dave, Jim and Scott has been a joy. Those guys are such pros! They are so laid back about the process that any worries I had about being unfamiliar with the tunes was quickly laid to rest. During the sessions I was constantly impressed by Matthew Smith's guitar playing. Most of the time I would just lay back on the tracks and vibe off of what he was doing, but he also left plenty of room for me to throw some licks in. Our guitars meshed together beautifully. Here is a photo of Matt's awesome guitar.
It's a 1968 Fender Jaguar.
And here is mine. It's a 1965 Epiphone Wilshire.
Matt is also a solid piano player. He put down some great sounding piano parts on a few of the tracks.
Here is a photo of Jim's 24 track machine.
Jim's studio is in downtown Detroit. You would never know it's there unless someone told you. He has a nice living space with the huge studio room in the back. Here is a photo of the stairs leading up to the place and a photo of Jim's motorcycle. These are the first things you see when you walk in.
We did five sessions total. Most of the time we started around 8pm and would finish around midnight. We did a Sunday session that went from noon till 11:30pm.
Doug Coombe came down last night and took band photos. If you haven't checked out his work then you should. He's the go to guy around these parts and for good reason. He's really good at what he does and he's one of the nicest dudes you'll ever meet. I look forward to seeing how the photos turned out. Here is Doug listening to a playback.
Scott Morgan sang his butt off. He'll be going back down tonight to do a few more vocal overdubs and some final touches. There is still the entire job of mixing to complete. I probably won't be going down for that. I'm very confident that Matt and Jim are the ones who know how to handle it best. Tonight Eddie Baranek from the Sights is supposed to come down and add some guitar and vocals to one of the tracks. I can't wait to hear how that turns out.
Here is a photo of Jim and Scott discussing a take.
Here is Scott leaving the studio after a long night of recording.
That is all I've got for now.
Stay tuned for more updates on Scott's album and other band news.
I took all the photos for this post.
Didn't want you folks to think Doug took these. His will be way better.
We finished basic tracks on the new Scott Morgan album last night. I think the recording has turned out fantastic so far. We recorded a mix of originals and some killer soul, R&B covers. The process of recording the songs was very spontaneous and free form. Most the original tunes we made up or learned on the spot. They were mostly based on the vocal melodies and ideas Scott would bring in. When it came to the covers, we would listen to them, pick a key, play through it once or twice to get the arrangement and then put it to tape. Normally with my other bands we practice our asses off for a month, get the songs as tight as we can, and then go record them as fast as we can in order to save money and get in, get out. I've always felt so under the gun in the studio because the budget is always so tight. This time around, we would walk in not knowing exactly what we were going to record each night. I have to say it worried me, until after the first night. I saw right away that the other guys had the skills to just pull the stuff right out of thin air. I was surprised when we got through 4 songs in the first night and it sounded really good. After that I wasn't worried. I just went with it, and it was a lot of fun.
Playing guitar along side Matt, Dave, Jim and Scott has been a joy. Those guys are such pros! They are so laid back about the process that any worries I had about being unfamiliar with the tunes was quickly laid to rest. During the sessions I was constantly impressed by Matthew Smith's guitar playing. Most of the time I would just lay back on the tracks and vibe off of what he was doing, but he also left plenty of room for me to throw some licks in. Our guitars meshed together beautifully. Here is a photo of Matt's awesome guitar.
It's a 1968 Fender Jaguar.
And here is mine. It's a 1965 Epiphone Wilshire.
Matt is also a solid piano player. He put down some great sounding piano parts on a few of the tracks.
Here is a photo of Jim's 24 track machine.
Jim's studio is in downtown Detroit. You would never know it's there unless someone told you. He has a nice living space with the huge studio room in the back. Here is a photo of the stairs leading up to the place and a photo of Jim's motorcycle. These are the first things you see when you walk in.
We did five sessions total. Most of the time we started around 8pm and would finish around midnight. We did a Sunday session that went from noon till 11:30pm.
Doug Coombe came down last night and took band photos. If you haven't checked out his work then you should. He's the go to guy around these parts and for good reason. He's really good at what he does and he's one of the nicest dudes you'll ever meet. I look forward to seeing how the photos turned out. Here is Doug listening to a playback.
Scott Morgan sang his butt off. He'll be going back down tonight to do a few more vocal overdubs and some final touches. There is still the entire job of mixing to complete. I probably won't be going down for that. I'm very confident that Matt and Jim are the ones who know how to handle it best. Tonight Eddie Baranek from the Sights is supposed to come down and add some guitar and vocals to one of the tracks. I can't wait to hear how that turns out.
Here is a photo of Jim and Scott discussing a take.
Here is Scott leaving the studio after a long night of recording.
That is all I've got for now.
Stay tuned for more updates on Scott's album and other band news.
I took all the photos for this post.
Didn't want you folks to think Doug took these. His will be way better.
Labels:
Jim Diamond,
Matthew Smith,
Scott Morgan,
The Sights
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